美，不存在于物体之中，而存在于物与物产生的阴翳的波纹和明暗之中。
在一无所有的地方生出阴翳，创造出美。奢华绚烂的模样，大半隐在昏暗之中，催发出无法言喻的余韵。美，不存在于物体之中，而存在于物与物产生的阴翳的波纹和明暗之中。——「翳·集」
Creating aesthetics from nothingness, the designer embedded exquisiteness and effulgence mostly under the dim lights. A lingering charm beyond words is thus born from the poetic ambience. Here, beauty does not come from the objects we see but the shadow, lightness, ripples in between them.
「翳·集」兴象遥远，意味无穷，“或十日一会，或月一寻盟”，雅集最重要的是随意性，简洁、舒适和宁静，选择昏暗的色调来创造静谧。实现空间的简约性，感受静态的慢生活美学。大空间细致的光影，充分感受到光线在空间流动，对比、调和、匀称、比例、节奏、韵律等多样性陈列的基石。
The title “Nebula” symbolizes the infinite prosperity that goes far away and beyond. Just as the essence of literary gathering in history, what matters the most in this design is the casualness, the conciseness, the comfort and serenity generated during the process. Thus, different shades of colors are applied to create a peaceful stillness. Completing the space’s simplicity and conciseness, an environment is born for one to sense the beauty of a downshifting lifestyle in tranquility. The delicate lighting design in the enormous space offers a sufficient glow with spatial fluidity. The basic concepts of contrast, balance, symmetry, proportion, rhythm, and patterns, are applied for diverse arrangements of objects.
书画家杨小健作为中国当代书法最重要的变革者之一，他大胆地运用西方抽象表现主义的风格来复兴传统中国书法，开拓了全新的抽象水墨艺术语言，赢得了“东方墨兽”的称号。
Calligrapher Yang Xiaojian is an innovator in modern Chinese calligraphy. His bold application of Western abstract expressionism gives a new life to traditional Chinese calligraphy. Therefore, his novel expressionistic language gets him a brand-new identity: The Ink Beast.
水墨元素与室内的极简风格形成呼应关系，让东方禅意的韵味发挥到极致，不同的物质与光结合，或重复或停顿，此间周游、驻足或交流畅谈，饱览艺术与光影。不同的角度，拥有不同的感受，用明暗对比勾勒空间意识，既厚重又轻盈，点茶小坐，几分禅意在光影中重塑，细腻、斑驳、颗粒状与草木材质交织成的艺术氛围。
In this case, the ink and wash elements echo perfectly with the minimalist interior style. The charm of Zen is expanded through integration of lighting and variable substances. Repeating or pausing, wandering, passing by, or interacting, one can enjoy the aesthetics of art, lighting and shadow here. With different perspectives, one can have different experiences in the same space. The contrast of light and shadow outline the spatial perception much more clearly than usual. Between bulkiness and lightness, one can take a seat for a sip, enjoying the zen atmosphere under exquisite lighting design. Delicateness, mottle, graininess and organicness of the vegetation all interwave into an artistic symphony in the space.
一处展览，无边艺术。于自然、温暖的空间里，引入植物，模糊室内外边界。每一个独特的艺术品的置放，以及每一道光线的投射都映照出从容的「翳·集」空间。顺着触感细腻又朴实的木质地板，转交之间，雅旷达率性的精神气韵，从生活道具的角色扮演中抽离，以舒缓的姿态平衡着一切。
Such a corner of space for exhibition can expand the world of art. By introducing plantation into a harmonious room with warmth, the designer blurs the boundary in between the interior and the exterior. Each unique artwork’s display and every beam of lighting all reflect the leisure atmosphere in the space of “Nebula.” Strolling through the simple yet exquisite wooden flooring, one can feel the generosity and airiness in between each turn. Forget about the characters we play in life, set the position in the most comfortable balance to embrace the moment.
空间干练素雅，材质简洁细腻，由木与仿古铜不锈钢拼接的组合，描摹出多样的层次，艺术家陈琦的《自然》作品用水纹的灵动，达到缓和放松的气氛。注重自然元素的表达，一株盆景的置入，就能营造出一种东方园林的气韵，木质地板、大理石茶几与植物结合，构成一处独特的自然风景。
The whole space is neat and concise with selective and delicate textures. Through a combination of wooden material and copper imitation stainless steel, variable multilayers are created. The introduction of Chen Qi’s work Code of Nature depicts the lively aesthetics of ripples to slow down the pace of the surroundings. Focusing on the expression of natural elements, the bonsai application establishes a sense of oriental garden. Wooden flooring, marble table, and the plants used all compose an one and only landscape inside.
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